Offenbach: Les Contes d'Hoffmann (2009)
Overview
Live from the Metropolitan Opera 19 December 2009.
Production Companies
Additional Info
| Budget | $0.00 |
|---|---|
| Revenue | $0.00 |
| Original Language | fr |
| Popularity | 0.588 |
Directed By
Bartlett Sher
Gary Halvorson
Crew
Jacques Offenbach
Bartlett Sher
Jules Barbier
James Levine
E. T. A. Hoffmann
Gary Halvorson
TOP CAST
Joseph Calleja
Hoffmann
Kate Lindsey
The Muse of Poetry / Nicklausse
Alan Held
Lindorf / Coppélius / Dr. Miracle / Dappertutto
Kathleen Kim
Olympia
Anna Netrebko
Antonia / Stella
Ekaterina Gubanova
Giulietta
Alan Oke
Andrès / Cochenille / Frantz / Pitichinaccio
Dean Peterson
Luther / Crespel
Michael Todd Simpson
Hermann / Schlémil
Rodell Rosel
Nathanael
Mark Schowalter
Spalanzani
Wendy White
Antonia's mother
Melody Bates
Courtesan
Christian Rozakis
Drug Dealer
Steve Trzaska
Student / Pinhead
Similar Movies
Aida - San Francisco Opera
An Egyptian military commander, Radamès, struggles to choose between his love for the enslaved Ethiopian princess Aida, and his loyalty to the Pharaoh. To complicate the story further, the Pharaoh's daughter Amneris is in love with Radamès, although he does not return her feelings.
The Metropolitan Opera: Aida
The Met’s spectacular production of Verdi’s Egyptian epic captures both the grandeur and the intimacy of this powerful tale of love and politics. Liudmyla Monastyrska is Aida, the Ethiopian princess-turned-slave in love with the Egyptian warrior Radamès, sung by Roberto Alagna. Olga Borodina is her rival, Amneris, daughter of the Pharao, and George Gagnidze sings Aida’s father, Amonasro, the King of Ethiopia. Principal Conductor Fabio Luisi is on the podium.
Die Walküre
The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)
Siegfried
Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner.
William Tell
“Let us assume that Switzerland is truly a paradise. The music hereto was written long ago. We have merely forgotten it.” (Daniel Schmid) This is the material from which the most Swiss of all operas is made: the legendary Wilhelm Tell – a Swiss hero: straightforward, a primus inter pares of the indomitable freedom fighters, a good shot, surefire. A myth that becomes a poetic playground: nature in turmoil, the struggle for freedom and forbidden love. A legendary overture at a gallop with an iconic post horn motif – all this and much more in the thirty-seventh and last opera by Rossini.
Un Ballo in Maschera
Live from the Metropolitan Opera, 14 February 1980. This version takes place in Boston rather than Sweden.
The Metropolitan Opera: Un Ballo in Maschera
David Alden’s elegant 2012 production moves Verdi’s thrilling drama to a timeless setting inspired by film noir. Marcelo Álvarez is Gustavo III, the Swedish king in love with Amelia (Sondra Radvanovsky), the wife of his best friend and counselor, Count Anckarström (Dmitri Hvorostovsky). When Anckarström joins a conspiracy to murder the king, tragedy ensues. Stephanie Blythe is the fortuneteller Madame Ulrica Arvidsson and Kathleen Kim sings the page Oscar. Met Principal Conductor Fabio Luisi is on the podium.
Rossini: Il Barbiere di Siviglia
Audiences went wild for Bartlett Sher’s dynamic production, which found fresh and surprising ways to bring Rossini’s effervescent comedy closer to them than ever before. The stellar cast leapt to the challenge with irresistible energy and bravura vocalism. Juan Diego Flórez is Count Almaviva, who fires off showstopping coloratura as he woos Joyce DiDonato’s spirited Rosina—with assistance from Peter Mattei as the one and only Figaro, Seville’s beloved barber and man-about-town.
Rossini: Armida
It is a rare opera indeed that calls for one soprano diva and no fewer than six tenors. Mary Zimmerman’s fanciful production of Rossini’s drama, designed by Richard Hudson and with choreography by Graciela Daniele, provides the perfect setting for superstar Renée Fleming’s captivating performance of the title role. A beautiful but evil sorceress in the times of the Crusades, Armida sets out to regain the love of the Frankish knight Rinaldo (Lawrence Brownlee) by putting her magical spells on him. She at first succeeds to draw him into her web of sorcery, but ultimately divine intervention—and his fellow soldiers—free Rinaldo from his enchantment—much to the vengeful fury of Armida and her demons.
Alcina
Live performance from the Grand Théâtre de Genève, February 25 2016.
L'Africaine
Live performance from Teatro La Fenice, 29 Nov. 2013.
Massenet: Thaïs
When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly. And when the clash takes place in a glorious, but rarely performed, opera by Massenet, it’s a delight to the ear just as much as to the eye. Renée Fleming is every inch the glamorous Thaïs, swathed in elegant gowns designed by Christian Lacroix. Thomas Hampson is Athanaël, the tortured man of God. This production by John Cox, which premiered in December 2008, brilliantly sets the stage for a confrontation as old as civilization itself.
Carmen aux Chorégies d'Orange 2015
Live performance from Chorégies d'Orange, 11 July 2015.
Carmen
Live performance from Taormina Opera Festival, July 15, 2015.
Carmen (Opéra de Lyon)
Live performance from the Opéra de Lyon, July 1 2012. Controversial production by Olivier Py.
Gounod: Faust
Tenor Jonas Kaufmann is riveting as the title character of Gounod’s popular opera, seen in this Live in HD presentation of Des McAnuff’s thrilling 2011 production that places the mythical and timeless story in an early 20th-century setting. René Pape as Méphistophélès is menacing and elegant in equal measure, and Marina Poplavskaya delivers a searingly intense portrayal of the innocent Marguerite. Russell Braun as her brother, Valentin, shines in his Act II aria. On the podium, Yannick Nézet-Séguin brings out all the lyricism and drama of Gounod’s score.
Francesca Da Rimini
LIve performance of Rachmaninoff's opera from the Opéra National de Lorraine, Nancy, 15 February 2015.
Adriana Lecouvreur
In the present stylised production by Lorenzo Mariani the 'violet-perfumed murderess' is taken by mezzo-soprano Marianne Cornetti, one of the most in-demand representatives of her vocal category. Opposite her, in the role of Adriana, is a soprano who as a Verdi and verismo specialist also appears regularly at all the major international opera houses, Micaela Carosi. The 'cock-of-the-walk' role is sung by the world-class tenor Marcelo Álvarez. His timbre, velvety smooth yet robustly virile, is ideally suited to a vocal characterisation of the idolised Maurizio. Conductor Renato Palumbo is very much at home with Cilea's operatic masterpiece, since the Italian Romantic and verismo periods are at the core of his extensive repertoire.
Eugene Onegin
Live performance by the Bolshoi Theatre at the Palais Garnier, Opéra National de Paris, 2008.
Tchaikovsky: Eugene Onegin (Komische Oper Berlin)
Live performance from the Komische Oper Berlin, February 15 2016.